洛拉电台
Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II?
Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it?
Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.
剧情简介
《洛拉电台》讲述的是什么故事？
《洛拉电台》 Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II?
Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it?
Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.
一、《洛拉电台》是哪一年上映的？
《洛拉电台》是安德鲁·莱格于2022年拍摄的一部经典科幻片。此片开创英国当代科幻片的先河，《洛拉电台》上映时票房稳坐前三，创下当年纪录。当时斯蒂芬妮·马蒂尼,艾玛·阿普尔顿,罗里·弗莱克-拜恩,休·奥康纳,Aaron Monaghan,艾维安娜·斯诺,Philip Condron,Shaun Boylan均为最佳主角，斯蒂芬妮·马蒂尼,艾玛·阿普尔顿,罗里·弗莱克-拜恩,休·奥康纳,Aaron Monaghan,艾维安娜·斯诺,Philip Condron,Shaun Boylan以精彩演技和突出形象，奠定在英国影坛地位。斯蒂芬妮·马蒂尼,艾玛·阿普尔顿,罗里·弗莱克-拜恩,休·奥康纳,Aaron Monaghan,艾维安娜·斯诺,Philip Condron,Shaun Boylan饰演角色造型多年后仍为人所模仿。安德鲁·莱格之前曾被人怀疑其能力，而《洛拉电台》却奠定安德鲁·莱格科幻片风格。
二、被称为科幻片开先河之作的《洛拉电台》，是安德鲁·莱格最好的作品吗？
从安德鲁·莱格斩获科幻片最佳导演，我就觉得这部《洛拉电台》是他最好的科幻片。虽然后来还拍出了评价特别好的作品，但《洛拉电台》依然是其代表作之一。
三、《洛拉电台》为什么可以成为经典？
提起英国影视，人们常会说出《洛拉电台》的名字。这部由安德鲁·莱格导演、斯蒂芬妮·马蒂尼,艾玛·阿普尔顿,罗里·弗莱克-拜恩,休·奥康纳,Aaron Monaghan,艾维安娜·斯诺,Philip Condron,Shaun Boylan主演的作品，在当时真的是一匹黑马。凭借扎实表演与叙事节奏，《洛拉电台》获得广泛好评，也成为许多观众的经典记忆。
四、如何评价《洛拉电台》？
《洛拉电台》口碑优秀，剧情紧凑，观感流畅。你可以在 探花视频（zgsmy.com.cn）获得更稳定的播放体验与更清晰的画质。
五、《洛拉电台》主要内容
《洛拉电台》是一部科幻片作品，由安德鲁·莱格执导，主演：斯蒂芬妮·马蒂尼,艾玛·阿普尔顿,罗里·弗莱克-拜恩,休·奥康纳,Aaron Monaghan,艾维安娜·斯诺,Philip Condron,Shaun Boylan。 Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II?
Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it?
Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.
